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Treat people with respect. Do good work. Get good clients.
I am the Associate Creative Director at Firstborn in NYC. Previously I was the CD at FL2.
I travel. I eat. Seeing other cultures – the architecture, the design, the food, and everything else that makes us humans. Human, is awesome. I also, not surprisingly, spend a lot of time on the Internet. From a strict interactive design standpoint, I find inspiration through traditional print design. I love looking at Contemporary poster design rooted in the Minimalist/Modernist forms of the International Style.
In no particular order: www.SpaceCollective.com – for its redefining and beautiful UI, plus its inspirational content. The typography on the site is pretty flawless. www.AisleOne.net – Antonio Carusone has done a fantastic job curating and driving Modern design on the web. He’s the reason the grid is “cool” – something that has been cool in the print world since the 1930’s. www.Boston.com/bigpicture/ – Simply because it’s such a powerful way to tell a story. The design/layout sucks, sure. But it works. I would love to be able to redesign it – it wouldn’t need much.
Working at Firstborn – seriously. I’ve always wanted to work here, and to work with a team like this is extraordinary.
Illustrator, Photoshop, DestroyTwitter, Firefox and (more and more) Keynote
We’re working on something pretty exciting right now – I can’t talk to you about it though ;-) But, more than the project itself, is the process we’re developing. It’s a redefinition of an old model – the old way of doing things – that I’m most excited about.
Not counting Firstborn and again, in no particular order: Group94, Area 17, Odopod
There are so many things that drive traffic in digital. It is, however, very exciting to see a design take off on its own. When the design/layout and interaction is the portion that spawns the viral.
It depends on the brand/clients needs, but for my own stuff: designers who like Modern/Contemporary design and the reinterpretation of those principles to digital. To try and coin a term: Neue-Modernism.
An understanding of where design came from. This inevitably leads to the picking and choosing of styles based on nothing more than: “I think that looks pretty.” This mutates into the matter of riding trends – which is exponential.
It looked terrible. I’ve purged it from memory (except the part about it being terrible).
I would love to. I’ll start with some essays though. An entire book sounds pretty hard.
I don’t know about the toughest thing. But the smartest thing I ever did was realize that there are others better at Flash than I – so let them do it. Developers are your best friends.
Yes. But AJAX and JQuery are radical and shouldn’t be overlooked. I’m more concerned with the lack of pixels as screens get smaller and smaller. Good design needs space.
I never went to design school. I’m self taught it the fields of design and code – so, no I don’t think you need formal Design school training. By not having had access to formal design training I find myself more appreciative of Graphic Design history. I’d venture to say the majority of web designers are unaware that there is a history to begin with. There seems to be this shunning of the past and certainly of print, like there is no relevance to what we do online. Those people are wrong. I’m digressing, back to schooling. We only learn when we want to learn – when we’re genuinely interested. When kids are told to read a bunch of essays like “Modernism and Its Malcontents” (as part of a curriculum), those essays lose their impact; because its homework – no one likes homework. Maybe it’s just that school is taught wrong.
Treat people with respect. Do good work. Get good clients.
Understand the grid. Then you can break it.
Dinner at WD-50…totally overrated.
UNIQLO – because I love their interactive work.
Crack is Wack kids: http://www.tweetphoto.com/e3631c Links ![]() ![]() ![]() |
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