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20 year olds are too busy on The Facesbooks and all that social jazz. Taking photos of their own face in a mirror, that's where we're at today.
I am Martin Hughes. Partner at Wefail. I make things for the internet.
Get away from the computer. I usually figure things out in my head if I'm not sat dwelling on them. So I'll get out and walk the dogs to reboot my braincells.
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It's always the last thing we've done. So right now it's Les Enfants http://www.enfantsterrible.com/ One day a few months back I decided to sit down in front of the internet and start learning HTML5. I swore quite a lot and banged my head on various walls before it began to make sense to me.
It comes and goes. If it's a hectic job then we're working 16+ hours per day. Other times it may be endless free hours without work, but those times can be equally stressful.
I get out on the bike. I live at the foot of the Peak District so I'm usually up in the hills on my own, peddling through the valleys and trying not to think too hard.
Crying in a ditch while inebriated on strong lager. Is that a job?
Favorite part is always the launch. Kicking it out the door and watching the response. Hardest part, probably when you're right in the middle of a contract and you've yet to see the finish line. You're tired and there's still a long way to go. That's pretty hard. I dont really get stuck, there's many ways to skin a cat, you can always find one.
Probably on a recent project.
Jordan and I putting wefail.com together. 8 years on and it proved to be a splendid decision. We've had quite a time.
Probably Photoshop if I had to pick one. I'm a layout fanatic. On Les Enfants I had the entire stage set out in one giant PSD so I could see the overall layout.
We are but two people. So it's not fair on the client or ourselves if we split our time up between too many contracts. We usually both work on the one project, it's better that way but also means you get dips in work because we'll sometimes have to reject contracts if we're currently busy.
I had a quick look at Adobe Edge the other week. It looks pretty cool, like Flash in its infancy. I hope it matures into something viable for Flash designers to get into.
Really not sure at the moment. Neasden Control Centre would always be in there though.
Well the last site we followed stats on was Die Hipster, and that got over 600,000 users in the first month. We had to shower mediatemple in love for that one.
They've probably grown old with us. So they're no doubt now 30 somethings that have grown hateful of the world. 20 year olds are too busy on The Facesbooks and all that social jazz. Taking photos of their own face in a mirror, that's where we're at today.
Ideas. There seems to be a lack of original ideas at the moment. Especially with user interface work.
Not really. I think web design has stagnated a little in the past few years. I'm a grumpy old git. I want my Flash back.
FWA always drives traffic to our sites. It's a key part of the launch process for us and the only award site we consider when releasing new work.
It can be tough if they have an idea that they believe in 100%, that you know isn't entirely solid. We've turned down a few jobs due to the concept being monumentally bad.
It was and yes, it's still there. But doesn't have any TShirts stocked in it anymore. It was much easier to setup an account here: http://wefail.spreadshirt.co.uk/ So that's where the clothing lives now.
We've always wanted to write a book. Our own little take on web design. A survival guide. We've just not found a publisher that would take us up on it.
I dont think there's ever really an 'outside of work' time. I'm always thinking about work whether I want to or not. It's usually sat on my shoulder, laughing at me.
http://www.takethislollipop.com/ used Facebook in a really nice (creepy) way. That was a job well done and proves that there's life in the old Flash yet.
No. We're forever marooned on internet island. We've done campaign work for TV, but it wasn't initially based on web work. TV work is nice, you dont have to worry about user interaction.
Is it? I'm not sure it is. I know there's a move towards creating apps for things like iOS, but that's a closed market. I'm not much of a fan of being moderated. Web design shouldn't have an overseer, young designers have a lot of bullshit rules and regulations to fight against nowadays.
They can turn into robots and take over the world! I dont know, tablets will no doubt become the dominant share of the home computer market.
Die Hipster. http://www.thathipster.com/
I think it was probably Julian Velard's site. It spiraled beyond all control and became a bit of a monster. It took us 6 months to make in the end and it probably takes 6 hours to get through. I'm exaggerating, maybe 10 minutes, but that's the equivalent of 6 years on the internet. http://www.julianvelard.com/old/
I'd like to think so. But clients will dictate whether it lives or dies. It's only as strong as the demand for it, if clients no longer buy into it, then it's dead. I think that's something a lot of Flash designers have to come to terms with, unfortunately.
I remember making client sites that were based around tools and services in 1999. It was a really boring time for web design. Then Flash came along and added a much needed burst of entertainment. Alas, overtime Flash then became an abused format. Humongous loading times to show a 10 second HD clip that formed a loader to some other 30MB shitfest of a site. Fat, bloated websites that ran like crap and took forever to load what was fundamentally a really poorly thought out site. It's bad design that's made Flash suffer, and there's a lot of it about.
I think it's a great place to learn your skillset and mix with like minded people. I did both. I spent a year at design school before dropping out and joining an independent web design school in Manchester, they got me a work placement and I began making Flash sites. If you're enthusiastic about web design you'll always find a way to get into the field, whether you go to design school or not.
Follow your own work, don't pay too much attention to current trends. If your work's good it'll stand out from all the generic crap that's floating about today. I'm so bitter.
We don't hire. It's easier that way because then we don't fire. We're cowards like that.
We don't. The new 3D engine looks pretty interesting but I imagine it's going to be an absolutely massive ballache to develop for. AS3 and 3D will surely be migraine inducing to figure out. I'll no doubt take a look at it anyway but importing boned mesh and then making it interactive sounds like a royal pain in the arse.
A space pod. Like a big perspex bubble with tiny jets on the back of it, and me sat for all the world to see. I'm not sure how it would steer, maybe with a massive rudder on the back. It sounds pretty hard to drive though, because you would drive it with voice commands.
Our work. You released a site, got it onto as many web design portals as humanly possible, then new clients came knocking. It was pretty simple in the old days.
Through coming up against new obstacles. You have to find a way through them, especially if the client's adamant that they want something new and technically challenging in a site. If you don't have a client, set yourself a tough goal and keep hammering away at it until you have it working.
I don't. I don't want to either, unless it becomes apparent that it's something you really have to take a look at. Like jQuery. Or the time when every client started demanding Facebook and Twitter be tied into their site. Clients love the Social Network.
Paris! So romantic! No, there's none that stand out at the moment. I'd say we're all equally as tired when it comes to web design right now.
I'd like to do a viral for Morrissey. He hates the internet though, he's a vegan.
Apart from the space pod? I'd not thought past that. I'm sure designing for tablets will play a part in it. Les Enfants was hopefully the first in a line of attacks on HTML. I'd personally like to get a game in the app store, too. Die Hipster LITE.
I've got the bug for HTML5 at the moment. So Flash hasn't been touched for a while. Next up I want to build some demo engines with rotate/scale/position and play around with them on iPad.
Petrol. Am I right? Bit of politics there.
I wear pyjamas. If i have to leave the house I wear tracky bottoms and a hoodie. I like to keep it Northern.
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No, thank you! Links ![]() ![]() The ten second showreel. Les Enfants Terrible on iPad. Die Hipster ![]() Les Enfants Terrible |
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