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Back when I was an exchange student I once skipped a night and didn't come out the room for 40 hours until the work was finally finished. Pretty intense!
I'm a Belgian designer and creative director with a background in photography, advertisement and multimedia. I'm known for my focus on quality, beautiful design and hunger for technology. For years I worked as an independed designer (www.quidante.com) and since 2009 I run Little Miss Robot (www.littlemissrobot.com), together with Wim Vanhenden, Sven Luyten and Thomas Joos.
Having time on hand and getting lost virtually or in real life is the best way to find new inspiration.
Having the courage to get independed and launch a company. Although others had their doubts, I took a shot at what seemed to be the next step in my professional career.
During the week I really enjoy my Judo sessions and browsing on the Internet. I like to discover & explore new things and experiences. In my free time I love to travel, it is my ultimate cure to relax!
My favourite part is working with talented people and create beautiful things. I also like the variation in my job. The hardest part is creating an environment where creative people feel comfortable. A place that stimulates the creation of great things we can proudly share with our friends, family and the creative community. I think that finding the right balance between effort and satisfaction is the hardest part of life in general.
Back when I was an exchange student I once skipped a night and didn't come out the room for 40 hours until the work was finally finished. Pretty intense!
My decision to study graphic design at the age of 16. Start working freelance at 20 and gaining professional experience in bigger offices. And of course, starting Little Miss Robot in 2009.
Creative software such as the products of adobe. And software to communicate via the internet such as my mail app and browser.
It depends on the time of year but in general we balance between 5 to 10 active projects.
That’s a difficult one because design has a very wide spectrum. Today I would go for North Kingdom, Art+Com and B-reel. And for a younger company I would recommend having a look at the work of Moonbot.
For the moment I would say HTML5 and native mobile experiences. If we compare them with Flash experience websites, especially in terms of animation and interaction, we still have a lot to improve. Also, the production process between design en development has to improve. After all those years it’s still very difficult to work pixelperfect and make changes at any moment. Tools are provided, but they are still complex and time-consuming.
Yes! It helps me to stay focussed and work on high-quality projects.
It always comes down to clear communication. Getting to know your stakeholders and carefully grow your creation with them. Stay focussed on the essence of what your doing together.
Yes, you can check it out at http://www.quidante.com/versie1/
I already had the pleasure of being interviewed for several books. I would love to write a book one day. I would focus on the creative industry and it’s impact and differences compared to other industries.
For the moment I’m following a class for general management. I also travel to explore the creative industry worldwide, visiting companies and talents.
Kony 2012. The video storytelling was so well done that it reached the entire world in a few days.
My father was a carpenter and wood sculpture creator. I grew up with a lot of wood creations around me and I still have the urge to make something physical. The fact that pixels are leaving the screen into a physical world is an opportunity for me to digitally create something physical! For me one of the important reasons why we started building interactive installations with Little Miss Robot.
I believe that the Internet will be outside the screen into a diversity of devices, products and environments. The speciality of webdesign will be chattered in to multiple sections.
I'm proud of a lot of our projects, but the really great projects came with a heavy NDA attached. To pick one besides that, I’d go for our first mobile FWA Award winner: Zona on iPad! (www.carldekeyzer.com/ipad)
The creation of a cash experience site for Kuro, a new television for Pioneer. It was a combination between video, papervision and flash interactivity. A hell of a job to make this experience seamless. But the result was stunning.
The perception of Flash will shift in something else or will fade out. But Adobe will keep providing tools to fulfil the need of digital creation on the web, for sure!
Being a designer is a life long learning experience. Design oriented education can only give and teach you some ‘shortcuts’. I do think, because of the technology being used in creative projects, it's extremely hard to skip learning environments such as schools.
Look for heroes and read a lot about them. Doing so you can create & find your own values, which will help you to become better in your work. And of course keep looking for feedback and criticism from talent people in the industry.
The portfolio says everything.
A flying saloon filled with friends, no digital access whatsoever… and a bar!
Blowing their minds with beautiful concepts and creations.
Spending a lot of hours behind the computer. Creating, coding and testing. There isn't any alternative for hard work. Or is there?
Events, the Internet, visiting companies and talking to talents.
Scandinavia and the US. And of course.. Japan. A great place with high-level technical quality.
I have two: The first one is a combination between abstract and figurative. A poetic video project with classic dancing. Something I never saw before. And the other one is a physical device that expresses his personality digitally.
I think the company is growing in a mature being with a lot of possibilities and I'm evolving along with it.
A new iPad for my mom.
Create every project with the passion as it was your first and with eye for detail as it was your last.
Thank you. After all those years admiring FWA Award Winners, I’m honored to be part of it. Links Feel free to send me a LinkedIn invite Have a look on Behance Global color trends 2012 Suske&Wiske Carl De Keyzer![]() ![]() Valentijn Destoop MaterialSource is a multi-layer platform that provides support to whoever wants to make conscious choices. ![]() Carl de Keyzer, Zona ![]() The new canvas, Pub Cover ![]() Suske en Wiske, De Stuivende Stad ![]() Opéra Royal de Wallonie |
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